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Thomas_Chilcot

Iet uz wiki rakstu

• Thomas Chilcot (1707? – 1766), was an English organist and composer.
• Thomas Chilcot of Bath, Somerset was born in the West of England (probably Bath) in or about 1707.[1] He was the son of John Chilcot and Elizabeth Powell.[2] Records of his birth, like most other records from his life, are now lost. Chilcot was educated at Bath Charity School, whose headmaster, Henry Dixon, had a strong interest in church music. On 6 July 1721 Chilcot (presumably aged 14) was apprenticed to Josiah Priest, the organist of Bath Abbey since 1714 - seemingly the only occasion on which the school allowed a pupil to be apprenticed to a musician.[3] On Priest's death, just four years later, Chilcot was made Abbey organist on a probationary basis. At what should have been the conclusion of Chilcot's apprenticeship, in 1728, the appointment was made permanent. As City musician in fashionable Bath, Chilcot rapidly established a remarkable relationship with many noble families, attracting their patronage and subscriptions to his publications. He became a member and subsequently Grand Master of the Royal Cumberland Lodge of Freemasons. He was also amongst the original members of the Royal Society of Musicians, founded in 1738/1739.
• As well as his work at the Abbey, Chilcot organised and directed some ambitious choral concerts (at which he played his own concertos) and appears also to have run a small instrument hire business.
• He married Elizabeth Mills of Bath in 1729 and had seven children, of whom four survived. Following Elizabeth's death, he married Anne Wrey, a member of a prominent West Country family (the Wrey baronets), in 1749.
• Chilcot died suddenly on 24 November 1766, after occupying a highly influential role in Bath for forty years. Almost no public notice was taken of his death and a complicated disagreement over Chilcot's estate meant that none of the elaborate arrangements that the composer had made for his own funeral procession, monument and memorial trusts, was ever carried out.[4]
• Chilcot's unpublished music, including at least four anthems, a Jubilate, an oratorio called Elfrida and what a posthumous auction catalogue describes as "his finest pieces of Music ... never Printed or Sold", has not survived.[5]
• .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}"Chilcot, Thomas" . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
• B.J. Maslen: ‘Thomas Chilcot: a Forgotten Composer’, Musical Quarterly, lxvi (1943), 294–5
• Tim Rishton: Thomas Chilcot and his Concertos (PhD thesis, U. of Wales, Bangor, 1991)
• Tim Rishton: ‘The Eighteenth-Century British Keyboard Concerto after Handel’, Aspects of Keyboard Music: Essays in Honour of Susi Jeans, ed. R. Judd (Oxford, 1992), 121–39
• Tim Rishton: 'Chilcot, Thomas', article in New Grove Dictionary of Music and Musicians
• Seraphic Lays': Thomas Chilcot 1707-1766', Hexachord: The Journal of Early Music Wales vol II no. 2 (February 2000), 4–13
• Tim Rishton: 'The twelve harpsichord concertos of Thomas Chilcot', Early Keyboard Journal Vol 23 (2005), 33-66